OK, it's time for me to weigh in on the new Weezer album. This is going to be tough, because I have something important to say.
I did not buy the new Weezer album.
It's just... I just... it was too soon after Red Album for me to really even think about Weezer, and then suddenly they have this new single out, and I couldn't ever listen to it all the way through, because it just made me sad that Weezer wasn't as awesome as they once were, and I know that makes me sound like one of those snobbish fans who think Pinkerton is the only good album, but you know what? People say that for a reason. Pinkerton and the Blue Album are legendary. There is not a bad track on them. And I'm not a purist. I'll listen to stuff from the others. I love songs from the others (especially "Keep Fishin'", "Burndt Jamb", and yes, "Hash Pipe").
But this album is different. It doesn't have the incredible Weezer aura surrounding it. It's too soon. It's too hip... or not hip enough. It's just trying so hard. And I can't get behind that.
Today, I was putting off writing a paper and decided to give Raditude a second look. As I gazed through song titles, I saw one I recognized. "Can't Stop Partying" was one of the best demos on Rivers Alone II, with this heart-breaking desperation that reminded me of why I love Rivers Cuomo. So I decided to give the official album version a try. And it destroyed my spirit. It jumped on my heart with German hiking cleats. How could they take a song that was so perfect in it's faults, notable because it was those typical rap lyrics but with a film of melancholy, and make it into such RUBBISH. A rap interlude by Lil Wayne? What is this?
I am not completely abandoning Weezer. They are part of my soul. I will always listen to them, and I will always love them. But as far as new material comes, I have left the building. No longer will I hope for a perfect return to form, no longer will I overlook the missteps on albums.
Our affair is everlasting Weerez, but now it's history, a past I will always look back on with fondness.
Tuesday, November 10, 2009
Monday, November 2, 2009
Vampire Week-ed Out
Whew. That was quite a Halloween season, wasn't it?
Let's just all nod our heads in agreement here. Deal? Deal.
Anyways, I can firmly say that I had one of the most SPOOK-TACULAR Octobers ever. I enjoyed pumpkin flavored oddities, fall foliage, and a wide array of scary movies. Oh, the scary movies.
That last week of October was spent glorifying in so many Vampire Movies (or Vampyre, whatever your leanings are) that I am thoroughly vampired out. Sucked dry, if you will. Yes, I went there. I was so busy observing bloodsucking fiends that I didn't have time to watch 28 Days Later, and if you've seen that movie you know what a travesty that is. It's a true one. A true travesty. Why can't the undead get along? Necks, brains, it's all part of the same human prey. Amiright?
Here's a quick rundown of all the movies I've seen in the past week. I think. It's all a blur... where am I?
*Nosferatu, a Symphony of Horror, 1922
Silent, classic, golden, with an incredibly creepy ratface that moves slowly and makes shadows menacing. What's not to love? Unless the silent aesthetic gets to you. You uncultured philistine. All I'm saying.
*The Vampyr, 1932
Another one that's not silent, but definitely has the same feel. German, expressionistic, and containing some freakishly cool images in the form of child shadows that move on their own and an out-of-body experience that's chilling. The only downside: it's a little over my head. As in, I had to Wikipedia it after to see what the plot was.
*Let the Right One In, 2008
I think this was the best one I saw. Maybe because it wasn't the typical Dracula plot, but also because it was amazing. It did things with vampires I'd never even thought of. A Swedish film that features lonely 12 year olds and focuses on the difficulty of making and forming relationships, with some gory mayhem thrown in. I jumped, I cringed, I laughed, I covered my eyes, I sat there stunned, and I decided to never ever go to Sweden. Ever.
*Shadow of the Vampire, 2000
Very very interesting. It goes behind the filming of the orginal Nosferatu, but with the theory that Max Schreck is a real vampire that Murnau hired in exchange for sacrificing the lead actress. The cast is stellar, and the parts where they recreate scenes from the original are fascinating. I just couldn't get behind this as much as I wanted. A solid meh. If that.
*Dracula, 2006
A random DVD from my roommate, featuring a Dracula musical in French with no subtitles. So needless to say, I didn't understand any of it. BUT. I knew the story. And the set was crazy cool. And the music was actually decent, with more rock opera than your typical musical score.
*Nosferatu the Vampyr, 1979
Remake of the original that keeps the same feel, buts actually adds more and enhances it. The plague scenes are a definite win, Klaus Kinski may or may not be haunting my nightmares (and walking suddenly into frame), and Werner Herzog shoots the best nature scenes of all time. OF ALL TIME.
Let's just all nod our heads in agreement here. Deal? Deal.
Anyways, I can firmly say that I had one of the most SPOOK-TACULAR Octobers ever. I enjoyed pumpkin flavored oddities, fall foliage, and a wide array of scary movies. Oh, the scary movies.
That last week of October was spent glorifying in so many Vampire Movies (or Vampyre, whatever your leanings are) that I am thoroughly vampired out. Sucked dry, if you will. Yes, I went there. I was so busy observing bloodsucking fiends that I didn't have time to watch 28 Days Later, and if you've seen that movie you know what a travesty that is. It's a true one. A true travesty. Why can't the undead get along? Necks, brains, it's all part of the same human prey. Amiright?
Here's a quick rundown of all the movies I've seen in the past week. I think. It's all a blur... where am I?
*Nosferatu, a Symphony of Horror, 1922Silent, classic, golden, with an incredibly creepy ratface that moves slowly and makes shadows menacing. What's not to love? Unless the silent aesthetic gets to you. You uncultured philistine. All I'm saying.
*The Vampyr, 1932
Another one that's not silent, but definitely has the same feel. German, expressionistic, and containing some freakishly cool images in the form of child shadows that move on their own and an out-of-body experience that's chilling. The only downside: it's a little over my head. As in, I had to Wikipedia it after to see what the plot was.
*Let the Right One In, 2008
I think this was the best one I saw. Maybe because it wasn't the typical Dracula plot, but also because it was amazing. It did things with vampires I'd never even thought of. A Swedish film that features lonely 12 year olds and focuses on the difficulty of making and forming relationships, with some gory mayhem thrown in. I jumped, I cringed, I laughed, I covered my eyes, I sat there stunned, and I decided to never ever go to Sweden. Ever.
*Shadow of the Vampire, 2000
Very very interesting. It goes behind the filming of the orginal Nosferatu, but with the theory that Max Schreck is a real vampire that Murnau hired in exchange for sacrificing the lead actress. The cast is stellar, and the parts where they recreate scenes from the original are fascinating. I just couldn't get behind this as much as I wanted. A solid meh. If that.
*Dracula, 2006
A random DVD from my roommate, featuring a Dracula musical in French with no subtitles. So needless to say, I didn't understand any of it. BUT. I knew the story. And the set was crazy cool. And the music was actually decent, with more rock opera than your typical musical score.
*Nosferatu the Vampyr, 1979
Remake of the original that keeps the same feel, buts actually adds more and enhances it. The plague scenes are a definite win, Klaus Kinski may or may not be haunting my nightmares (and walking suddenly into frame), and Werner Herzog shoots the best nature scenes of all time. OF ALL TIME.
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